Cover of The Ninth Stone
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The Ninth Stone

by Ronan Wilde

Reunite the Stones. Unleash the Truth.

  • 1 hr 30 min read
  • 15 chapters
  • Published 12 March 2026
Treasure HuntAncient ArtifactsGlobe-TrottingFamily LegacyArchaeological AdventureSibling DuoCat and MouseLost Civilization
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Summary

Eight ancient gemstones and a dead father's secret obsession are all that stand between Ben Carrick and the most dangerous treasure hunt in Scottish history. When a wealthy antiquities dealer makes an offer too generous to refuse—and too suspicious to trust—Ben and his sister Maren must race from a remote Norwegian monastery to the black-market underworld of Copenhagen, chasing the one missing artifact that could unlock a Pictish mystery buried for fifteen centuries. But what the stones reveal may be far more terrifying than any treasure.

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Chapter 1

Chapter 1: The Solicitor's Office

The rain came sideways off the Firth of Forth, slapping against the tall Georgian windows of Crichton & Dunbar's offices on Charlotte Square. Ben Carrick stood at the glass, watching Edinburgh dissolve into grey streaks, his camera bag hanging from one shoulder like an old habit he couldn't shake. Behind him, the solicitor's assistant was making apologetic noises about Mr. Dunbar running ten minutes late.

"He's always ten minutes late," Maren said from the leather chair by the fireplace. She hadn't taken off her coat. She sat with her legs crossed, one boot bouncing impatiently, her copper hair pulled back in the same severe ponytail she'd worn to their father's funeral three days ago. "Dad used to say Alistair Dunbar would be late to his own autopsy."

Ben turned from the window. "You mean funeral."

"I know what I mean." Maren's mouth twitched—not quite a smile, but the closest she'd managed since the phone call from the hospital. "I'm a forensic geologist. I think about autopsies."

The assistant, a young man with a nervous Adam's apple, retreated to the hallway. Ben set his camera bag down and took the chair opposite his sister. The room smelled of old paper and furniture polish, the kind of smell that made you feel like you owed someone money.

"Have you been back to the house?" he asked.

"Yesterday. Just to check the pipes. It's exactly how he left it." She paused. "Which is to say, a disaster. Books everywhere. Papers stacked on every surface. I found a half-eaten sandwich in his study that I'm fairly certain predates his diagnosis."

Ben almost laughed. Almost. Professor Niall Carrick had been many things—a brilliant historian, a patient teacher, a man who could lose himself so completely in a medieval manuscript that he forgot to eat, sleep, or acknowledge the existence of his own children for days at a stretch—but he had never been tidy. The house in Stockbridge, where Ben and Maren had grown up, was less a home than an archaeological site in its own right, layer upon layer of academic sediment.

"Did he leave any indication of—" Ben gestured vaguely at the solicitor's office. "This? Whatever this is?"

Maren shook her head. "The letter from Dunbar just said to present ourselves at the reading. No details. I assumed it was the house and whatever's left in his pension."

"You and me both."

The door opened, and Alistair Dunbar entered with the particular energy of a man who had been rushing but wanted to appear as though he hadn't. He was sixty-odd, silver-haired, with the ruddy complexion of someone who enjoyed his whisky and didn't apologize for it. He carried a leather portfolio in one hand and, somewhat incongruously, a brushed titanium case the size of a shoebox in the other.

"Ben. Maren." He shook their hands with the practiced solemnity of a man who spent a significant portion of his professional life around grief. "I'm sorry about your father. Truly. He was one of the finest men I've known."

"Thank you, Alistair," Maren said. "What's in the box?"

Dunbar blinked, then allowed himself a thin smile. "You're very much your father's daughter." He settled behind his desk, placed the portfolio flat, and set the titanium case beside it with deliberate care. "Your father's estate is straightforward in most respects. The house, his savings, his academic library—these are split equally between you, as you'd expect. But there is an additional bequest that falls outside the ordinary."

He opened the portfolio and removed a single envelope, cream-colored, heavy stock, sealed with wax. Ben recognized his father's handwriting on the front: For Ben and Maren, when the time comes.

"He gave me this envelope and this case seven years ago," Dunbar said. "With instructions that they be delivered to you jointly, in person, after his death. He was very specific. Not mailed. Not couriered. Delivered in this office, with both of you present." He slid the envelope across the desk. "I have no idea what's inside either of them. He asked me not to open the envelope, and the case is locked. He said you'd find the combination in the letter."

Ben and Maren exchanged a glance. Seven years. Their father had been carrying whatever this was for seven years without saying a word.

Maren reached for the envelope, broke the seal, and unfolded three pages of their father's cramped, precise handwriting. She read in silence for perhaps thirty seconds, then looked up at Ben with an expression he couldn't immediately parse. It wasn't shock, exactly. It was something closer to recognition, as if a puzzle she hadn't known she was solving had suddenly snapped into focus.

"Read it," she said, and handed him the pages.

Ben read.

Dear Ben and Maren,

If you're reading this, I've run out of time, and I owe you both an explanation and an apology. The explanation first.

For the past thirty years, I have been tracking a set of nine carved gemstones—Pictish artifacts dating to approximately the seventh century AD. They were scattered across northern Europe by Viking raiders sometime around 870, and over the centuries they surfaced in various collections, monasteries, and private hoards from Iceland to Constantinople. Each stone is roughly the size of a walnut, carved from a different mineral, and engraved with a symbol from a system of Pictish notation that has never been fully deciphered.

According to the fragmentary sources I've spent my career piecing together, the nine stones, when arranged in the correct configuration, reveal the location of a Pictish ritual site in the Scottish Highlands. This site is believed to contain a substantial quantity of Roman gold—tribute paid by a Roman garrison to a Pictish confederacy sometime in the late fourth century, during the chaotic final decades of Roman Britain.

I found eight of the nine stones. They are in the case. The combination is Maren's birthday, reversed.

The ninth stone has eluded me. My best research places it at the Monastery of St. Halvard on the island of Brennøy, off the Norwegian coast near Bergen. I was never able to confirm this—the monastery is private, deeply protective of its collection, and suspicious of academics who ask too many questions. I had planned to go myself this spring, but my body has made other plans.

Now the apology. I kept this from you because I wasn't sure it was real, and because the search consumed me in ways I'm not proud of. Your mother knew, and it was one of the reasons she left. I don't want it to consume you too. If you decide to leave the stones in the case and get on with your lives, I will understand. But if you decide to look for the ninth stone, be careful. I am not the only person who knows about them.

With all my love and all my regret,
Dad

Ben set the letter down. The rain had intensified outside, drumming against the windows with a sound like impatient fingers.

"The combination," Maren said. She was already reaching for the case. Her birthday, reversed: 2-9-0-8-8-7. She punched it in. The lock clicked.

Inside, nestled in custom-cut foam, were eight stones. They were beautiful—and strange. Each was a different color and mineral: deep red garnet, blue-black sapphire, pale green serpentine, amber, smoky quartz, a dark stone that might have been jet, a milky opal, and something golden that caught the light like a cat's eye. Each was roughly walnut-sized, as promised, and each bore an engraved symbol on its flattest face—spirals, crescents, broken arrows, shapes that looked organic and mathematical at once.

Ben picked up the garnet. It was heavier than he expected, warm to the touch, and the carving was precise, confident. Whoever had made this had been a master.

"These are real," Maren said. She had the serpentine in her palm, turning it under the desk lamp, her professional eye engaged. "The mineral composition, the weathering patterns on the surface, the style of the carving—these are consistent with early medieval Pictish work. I've seen fragments like this in museum collections, but never anything this well preserved."

"Your father was a meticulous man," Dunbar said quietly. He was watching them with an expression that mixed curiosity with something like unease. "Whatever this is about, he took it very seriously."

"Thirty years," Ben said. He couldn't quite absorb it. His quiet, bookish father—a man who wore the same three tweed jackets in rotation and considered a trip to the Borders a grand adventure—had spent three decades on a secret treasure hunt. "He never said a word."

"He said it was one of the reasons Mum left," Maren said flatly.

"I know."

They sat in silence for a moment, the eight stones glinting under the lamplight like fragments of a language they couldn't read.

"What are you going to do?" Dunbar asked.

Ben looked at his sister. She looked back at him. He saw the answer in her face before she said it, because it was the same answer he would have given.

"We're going to find the ninth stone," Maren said.

Dunbar nodded slowly, as if he'd expected nothing less. "Then I should mention one more thing. I received a phone call this morning from a man named Sven Halvorsen. He described himself as a collector and dealer in northern European antiquities. He expressed condolences about your father and asked whether Professor Carrick's estate included any items of historical significance that might be available for private sale."

"How did he know Dad had died?" Ben asked. "The obituary hasn't run yet."

"I asked the same question. He said he'd been in correspondence with your father for some years and had learned of his passing through mutual contacts in the academic world." Dunbar's expression suggested he found this explanation insufficient. "He offered two hundred thousand pounds for any Pictish artifacts in the estate. Sight unseen."

Maren closed the titanium case and locked it. "That's a very specific offer for something he claims not to have seen."

"My thoughts exactly," Dunbar said. "I told him I'd pass the message along. He left a card." He handed it over—heavy cream stock, embossed, with a Bergen address and a phone number.

Ben pocketed the card. "Thank you, Alistair. For everything."

They left the office with the case between them, stepping out into the Edinburgh rain. Charlotte Square was nearly empty, the gardens a smear of green behind iron railings. Ben pulled up his collar and looked at his sister.

"Two hundred thousand," he said.

"For eight stones he shouldn't know exist, from a man who called before the obituary ran." Maren tucked the case under her arm. "Dad said to be careful. I think he meant this."

"Norway, then."

"Norway," she agreed. "But first, I want to go through Dad's study. All of it. Every note, every file, every scrap. If we're doing this, we're doing it properly."

They walked together through the rain toward Stockbridge, the titanium case growing heavier with every step, or so it seemed to Ben—as if the stones inside knew they were one short of complete and were restless with the waiting.

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Christian
★★★★★

I loved every second of the book I hope there is a number 2

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