Cover of Come Home
Horror ★ 4.35 · 79 Audiobook Available Exclusive

Come Home

by Andrew Kerr

  • 1 hr 30 min read
  • 11 chapters
  • Published 23 April 2026
Haunted HouseGothic HorrorLiving ArchitectureDark Family LegacyTrapped in the HouseIsolated SettingPsychological HorrorBuried SecretsSentient HouseNo EscapeParanormal InvestigationSeductive EvilOutsider ProtagonistSoul TrapDread Ending
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About this book

Summary

A house in the New Hampshire woods has driven three people mad, and Dr. Arthur Pennick wants to know why. He brings three volunteers to Mirewick House for a two-week study, but one of them—Alice Marston, a quiet library assistant still reeling from her mother's death—feels something the others don't. The halls seem to know her name. The walls whisper memories only she should possess. As Alice sinks deeper into the estate's embrace, the line between sanctuary and trap dissolves, and the others must decide how far they're willing to go to pull her back from something that feels, to her, like finally coming home.

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Chapter 1

Chapter 1: The Invitation

The letter arrived on a Tuesday, which Alice Marston would later think of as significant, though she could never articulate why. Tuesdays had always felt like threshold days to her—neither the blunt shock of Monday nor the slow downhill slide toward the weekend. Tuesdays were the days when things could change.

She found it wedged between a credit card offer and a flyer for a pizza place that had closed six months ago. The envelope was cream-colored, heavy stock, with her full name typed in a serif font that looked almost old-fashioned. No return address on the front, but when she turned it over, there was a small embossed seal: a circle containing what appeared to be a stylized eye.

Alice set down the bag of groceries she'd been carrying—frozen dinners, mostly, the kind her mother would have called "giving up food"—and opened the envelope with her thumb.

Dear Ms. Marston,

I am writing to invite you to participate in a residential study on environmental psychology, to be conducted at a private estate in Carroll County, New Hampshire. The study will last approximately fourteen days and will involve standard psychological assessments, journaling, and recorded interviews. Compensation of $4,000 will be provided upon completion.

Your name was recommended to me following your participation in the Harfield Sensitivity Index study at Brenton College last spring. Your scores were, frankly, remarkable, and I believe you would be an ideal candidate for this research.

I understand this is an unusual request. I would be happy to discuss the details by phone at your convenience.

Sincerely,
Dr. Arthur Pennick
Department of Psychology
Chadwick University, Vermont

Alice read it twice, standing in the narrow kitchen of her apartment in Concord. The apartment was small—a studio, really, though the listing had generously called it a one-bedroom because there was a half-wall separating the sleeping area from the rest. She'd moved here eight months ago, after her mother died, selling the house in Nashua where she'd spent the last decade as caretaker, companion, and punching bag.

That wasn't fair. Her mother hadn't hit her. Dorothy Marston's weapons had been subtler: the disappointed sigh, the inventory of sacrifices made, the way she could make Alice feel like the walls were closing in simply by saying, "I suppose you'll do what you want. You always do."

Alice had not, in fact, always done what she wanted. She had done almost nothing she wanted for ten years. She had left her graduate program in library science to come home when her mother's health declined. She had taken a part-time position at the Nashua Public Library, shelving books and running the children's reading hour, because it was close and flexible and her mother needed her. She had watched friends marry, move away, build lives, while she microwaved soup and changed bedsheets and listened to her mother describe, in exhaustive detail, all the ways Alice was falling short.

Now her mother was dead, and Alice was thirty-two, and she lived alone in an apartment that smelled faintly of the previous tenant's cats, and she worked twenty-five hours a week at a different library in a different town, and she had $11,400 in savings, and she had no idea what she was supposed to do with the rest of her life.

She picked up the phone and called the number at the bottom of the letter.

Dr. Pennick answered on the third ring. His voice was warm, slightly nasal, the voice of a man who spent a lot of time talking and enjoyed it. He was fifty-six, he told her later, though on the phone he could have been any age.

"Ms. Marston. I'm so glad you called. I wasn't sure you would."

"I almost didn't," she said honestly. "It reads a little like a scam."

He laughed. "I know. I've been told my recruitment letters have an air of the sinister. I assure you, this is legitimate university research. I can provide references, IRB approval numbers, whatever you need."

"What exactly is environmental psychology?"

"Broadly? The study of how physical spaces affect human cognition and emotion. More specifically, in this case, I'm interested in a particular property—a house, actually—that has a documented history of producing unusual psychological effects on its occupants."

"What kind of effects?"

There was a pause. Not evasive, Alice thought. Careful.

"The house is called Mirewick," he said. "It was built in 1889 by a textile manufacturer named Josiah Crale. Over the past century, it's had a number of owners and tenants. Three of them experienced what I would characterize as severe psychological episodes during their residency. Two were hospitalized. One recovered; one did not. The third simply vanished—walked away from the property and was found three days later in the woods, hypothermic and largely nonverbal. She recovered physically but never spoke about what happened."

"And you want to put people in this house."

"I want to study the house with trained observers and proper instrumentation. I'm not looking for ghost hunters, Ms. Marston. I'm looking for thoughtful, psychologically resilient individuals who can report their experiences clearly and honestly."

"You said my sensitivity scores were remarkable."

"They were. You scored in the ninety-ninth percentile on the Harfield index, which measures environmental sensitivity—the degree to which a person's mood and cognition are affected by their physical surroundings. That's not a weakness. It's a finely tuned instrument."

Alice looked around her apartment. The water stain on the ceiling. The window that faced a brick wall. The single bookshelf, already overflowing.

"Four thousand dollars?" she said.

"Upon completion of the two-week period, yes."

"When does it start?"

"October fifteenth. Just under three weeks from now."

October. New Hampshire in October. She thought of red maples and cold mornings and the smell of wood smoke. She thought of being somewhere that wasn't here.

"I'll need to arrange time off from work," she said.

"Of course. Take whatever time you need to decide."

But Alice had already decided. She'd decided the moment she read the letter, standing in her kitchen with a bag of frozen dinners slowly thawing on the counter. Something about the invitation had felt less like a request and more like a recognition—as though someone, somewhere, had finally noticed she was here.

She said yes.

---

The drive from Concord to Carroll County took just under two hours on a clear October morning. Alice had packed lightly: two weeks' worth of clothes, a box of books, her laptop, a journal. She'd told her supervisor at the library that she was taking a personal leave. Janet, the head librarian, had looked at her with the particular mix of pity and curiosity that Alice had grown used to receiving.

"A research study? What kind?"

"Psychology. At a university in Vermont."

"Is it safe?"

"It's at a house in New Hampshire. I'll be with a professor and two other participants. It's very safe."

Janet had not looked convinced, but she'd approved the leave. Alice suspected Janet would have approved almost anything. She'd heard about Alice's mother, about the decade of caregiving, about the way Alice moved through the library like a woman who had forgotten she was allowed to take up space. Janet was kind. Most people were kind to Alice, in the way people are kind to stray animals—gently, from a distance, with an undercurrent of relief that the problem wasn't theirs.

The GPS led her off the highway and onto progressively smaller roads. The last twenty minutes were on an unpaved lane that wound through dense forest, the trees pressing close on both sides, their leaves a violent riot of orange and crimson. It was beautiful, but there was something claustrophobic about it too—the way the canopy closed overhead, the way the road seemed to narrow with each turn.

She almost missed the gate. It was wrought iron, old and partially obscured by overgrown hedges, standing open as though someone had pushed it back years ago and never bothered to close it. A stone pillar on the right bore a tarnished brass plate: MIREWICK.

The driveway was long—a quarter mile at least—and lined with sugar maples that had gone to gold. At the end of it, the house appeared.

Alice stopped the car and sat for a moment, engine idling.

Mirewick House was larger than she'd expected. Three stories of dark stone and darker wood, with a steeply pitched roof, a wraparound porch, and a widow's walk perched on top like a crown. The windows were tall and narrow, set deep in the stone, and they caught the October sunlight in a way that made them look less like glass and more like eyes. The house sat on a slight rise, and the grounds around it had gone to seed—the lawn was more moss than grass, and the garden beds were choked with dead stalks and thorny undergrowth.

It was not a welcoming house. But Alice felt something she hadn't expected: a small, bright spark of interest. Not comfort, exactly. More like the feeling of opening a book and recognizing, from the very first line, that it was going to matter.

She turned off the engine and got out.

The air smelled different here. Colder, damper, with an undertone of something organic—not rot, exactly, but the deep, mineral smell of earth that has been wet for a long time. Beneath the maples, the ground was soft and dark. Somewhere behind the house, she could hear water moving, a stream or a spring.

The front door opened before she reached the porch steps.

Dr. Arthur Pennick was a compact man with a neat gray beard and wire-rimmed glasses that he pushed up his nose with his index finger every few minutes, a tic that Alice would come to know well. He wore a cable-knit sweater that was slightly too large for him and corduroy trousers with chalk dust on the knees, and he radiated the particular energy of a man who was deeply, almost pathologically, enthusiastic about his work.

"Ms. Marston! Welcome, welcome. You found us without trouble?"

"The GPS tried to send me into a lake about ten miles back, but otherwise, yes."

He laughed—a genuine laugh, warm and slightly too loud for the quiet of the clearing. "The technology hasn't quite caught up with this part of the state. Come in, come in. The others are already here."

Alice followed him through the front door and into the house.

The foyer was large, high-ceilinged, paneled in dark wood that had been polished to a dull gleam. A staircase rose along the left wall, its banister carved with a repeating pattern of leaves and vines. The floor was hardwood, covered by a runner carpet that had once been red but had faded to a dusty rose. Directly ahead, a hallway stretched toward the back of the house, lined with closed doors.

It was cold. Not the crisp cold of the October air outside, but a different cold—heavy, settled, as though the house had been cold for so long that warmth was simply something it didn't permit.

And there was a smell. Beneath the dust and old wood and the faint camphor scent of mothballs, there was something else: damp earth. The smell she'd noticed outside, but stronger here, more insistent, as though the ground beneath the house was breathing up through the floorboards.

Alice stood in the foyer and felt the hair on her arms rise.

"The heating system is a work in progress," Arthur said, misreading her expression. "I've got space heaters in all the bedrooms. It's quite comfortable once you settle in."

"It's fine," Alice said. She wasn't cold, exactly. She was something else. Alert. Aware. As though every nerve in her body had quietly switched on.

She followed Arthur down the hallway toward the sound of voices.

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